“Memory is redundant: it repeats signs so that the city can begin to exist; an invisible landscape conditions the visible one…” – Invisible Cities, Italo Calvino

Taking a bird’s eye view from the observatory of skyscraper, the highest point of the capital, you can find the layered cityscape relaxes and spreads in front of your eyes while dramatic landforms meander. As you journey through this experience with the aid of a panoramic design, buried memories you might have about the city alongside emotions that are inherent to such a viewing perspective, slowly emerge to shape the contour of an imagined community.

Intertextuality and duality multiply within these interweaving narratives, where the past and the present, concreteness and virtuality, the translucent and that of the overlaid, the grandeur and the finesse interrelate. Such a multi-angled perspective not only ingeniously presents the complexity of the city, but also serves as a summary of the personalities and contexts unique to our generation.

「記憶也是累贅，它把各種標記翻來覆去以肯定城市的存在； 看不見的風景決定了看得見的風景。」 - 伊塔羅·卡爾維諾

站立在城市的至高點，層層疊疊的城市地景地貌，就在眼前鋪開，曲直並陳。人自身潛藏的城市記憶與視覺觀點，從全景視覺形塑了想像的共同體。

體現建築內在的靈光與建築外顯的結構，互為表裡的錯縱複雜，現下與過往、具象與虛擬、穿透與疊加、恢宏與微細，多元視角呈現的城市複雜樣態，爬梳出屬於這個世代獨有的城市脈絡。